Posts Tagged ‘Magpies Nest Publishing’

What a laugh! A lady koala reading my book (NO she is NOT Edna Everage)

June 8, 2010
koala reads Red Boxes

Australian Lady, Janny Inkletter, reads Red Boxes — delighted!

And what does charming Mrs Janny Inkletter say about it? (No, this beautiful lady is not related to Edna Savage. She is the wife of that extraordinary ruler of Phools Paradise — Payton L Inkletter, writer and philosopher, king of wit)

RED BOXES: Easy yet moving to read real stories, innocent yet powerful memories of growing up and living in England through 1939-80
I had been anticipating reading this account of Gladys Hobson’s life, for not the least reason that she hails from England, my birthplace.
I was raised on stories of the British Depression era, War time, and post War era till the early sixties, told me by my parents. We emigrated to Australia in 1964 when I was barely 7 years of age, and I was always fascinated by the experiences my parents shared with me and my younger brother.
‘When Phones Were Immobile and Lived in RED BOXES’ was very easy to read, it made me laugh, it made me cry, it made think of my deceased mother very much, who I’ve missed greatly these past twenty one years. A lot of Ms Hobson’s experiences were very much like my mother’s, and I was especially struck by accounts of the fashion industry, because my mother’s work, before she married my father, was in the retail side of fashion. Despite war time rationing being over, it was a struggle for her to find the materials for her wedding outfit; however, one of the tailors that Mum used to deal with hand made her a beautiful tweed suit and lace blouse as her wedding present – it was a worth a small fortune. This made Ms Hobson’s account of her early career in the industry resonate with me rather nostalgically.
Thinking of the times when Ms Hobson was carving out her vocation in the fashion world, she would have needed to be quite a courageous woman; she, it should be noted, was raising her new family as well.
Even though poverty was a constant in the early part of her life, Ms Hobson’s tenacious spirit saw her overcome the struggles that a lot of her fellow countrymen shared with her.
I would warmly recommend this book to anyone wanting to have an insight into this era in Britain, and the making of our current senior generation. There is a lot to admire about how they came through the challenges of their times; things that younger people today would not understand, and maybe not cope with should – let’s hope not – such hard times return.
Janny Inkletter

Thank you, Janny for that thoughtful review.
The (enlarged) Second Edition of When Phones Were Immobile and Lived in Red Boxes — 1939 — 1980 (£7.50) can be ordered from any good bookshop, Amazon etc or directly (post free in the UK) from Magpies Nest Publishing.
(Please note, The smaller first edition is out of print and cannot be ordered from the publisher, but second hand books are sometimes available on Amazon)

Never mind the title, feel the heat!

May 28, 2010

Reviews for the three books in my Love By Design trilogy — Awakening Love, Seduction, Checkmate are hotting up. Visit Fools Paradise to see Payton L Inkletter’s last review — of my Seduction! (a previous publication was known as Seduction By Design)
You can read it here but you miss the animation — you’ll laugh your socks off!

Also posted here is a review by Andrew O’Hara (Andy is deeply involved with the Badge Of Life. Visit the BOL site, for eye opening revelations about their work.)

Go to my author site Hobsons Books for more reviews

SEDUCTION BY DESIGN

Seduced by design. Designed for seduction!

“Seduction by Design” is a triumph. Entertaining, wild, erotic (sheesh :), and full of enough twists and turns to keep the reader engrossed. A great piece of reading, written with Gladys Hobson’s very typical skill! (Longer one below)
Andy O’Hara

Seduction By Design

I was keen to sink my teeth into this novel, ‘Seduction by Design’, Gladys Hobson’s second in her ‘Designed For Love’ series, because she had me hooked with her first, ‘Desire’ (known in the UK as Awakening Love).

These are no ordinary romance novels. They are written by a mature age author, whose abundance of wisdom invests the chapters with a fragrance rare. A young person simply could not achieve this, and the gems of insight Ms Hobson scatters throughout her story delighted me.

As for the characters, my dislike of the arch bastard Robert Watson magnified in this instalment, while my love for the beautiful June Rogers nee Armstrong was tempered – Ms Hobson portrays just what a flawed woman she is despite her enormous and rare talent for couture design; and to make matters more arresting for me, I am tarred with many of the same brushstrokes as June, if I want to be honest.

Thus I was not only entertained by this engrossing tale, I was a tad convicted.

It is the early seventies, the setting having jumped a couple of decades from that of ‘Desire’, and my word how well Ms Hobson has integrated the plot from that instalment!

The thermostat regarding eroticism has been turned up a few notches in ‘Seduction…’, and that’s saying something, and yet, as with her first, there is nothing dirty or obscene in her explicit portrayals, and I tip my hat to her for this achievement: sexually charged encounters aplenty, without impurity – trashy romance writers take notice!

Something rare for me: I was actually mesmerised in places as I consumed this believable story involving an assortment of characters that would exist in any big town and city. And as in my previous review, let me reiterate that, as a writer, I continued to be informed and educated regarding effective technique to convey and captivate.

Well done Ms Hobson, and when is the final novel, ‘Checkmate’, going to be finished for me to learn what happens to these characters, who have become such a part of my imagination?
Payton L. Inkletter (writer, thinker, humorist)

SEE INKLETTER’S ANIMATED REVIEWS AT Fools Paradise!

Seduction by Design (about to be published by Turquoise Morning Press as ‘Seduction’ by G B Hobson)

Here’s a book that carries the reader right along in a smooth, continuous delight of romance, erotic adventure and well woven suspense. Author Gladys Hobson kicks right off with a bang, introducing us to the sensual June Rogers. A fashion designer by trade, June is grieving the death of her husband, Arthur, and begins to take readers on a tangled journey of love and hate with the attractive Charles and the ever despicable Robert–and is he ever!

Trite as that might sound, Hobson truly brings these three main characters (and a surrounding cast of delightful cast members) to vivid life in her “Seduction by Design.” This book keeps the reader on one’s toes as misfortunes lead to twisted plots and motives, and then to one misunderstanding after another that almost lead to tragedy and final heartbreak and yet, in the end — well, the writer sums it up best as, “Deja vu,” which you will have to find out by reading this delightful piece of work!

Gladys Hobson is a well practiced writer, spinning a tale smoothly and naturally. She is economical and yet she is capable of painting entire scenes and montages with dialogue, a quick glance, the sparkle of an eye or the dart of a smile so quickly that a reader doesn’t even know it’s happening. This is a rare talent and a delight.

“Seduction by Design” is good reading. It’s flat-out entertaining, suspenseful, erotic, fun, and heartwarming!

Andrew O’Hara (editor of The Jimston Journal, author of prize-winning The Swan, Tales of the Sacramento Valley) lives in the USA and now runs the Badge Of Life.

Please note: My trilogy and Smouldering Embers will now be published by Turquoise Morning Press and my The Dark Mirror (previously published as When Angels Lie) is being published by Storm Moon Press

Nothing To Fear — humour/horror story by Gladys Hobson

May 6, 2010

Nothing To Fear

Dark morning in Lent

‘Anyone there?’
No answer, so what the ‘ell were the chancel lights doing on?
‘Huh!’ she said, locking the door of the west porch behind her and waddling up the centre aisle. ‘If I’d left them on there’d be the Devil to pay.’
Chuntering to herself, Doris made her way to the vestry, switched on the nave lights and took the vacuum cleaner and dusters from a corner cupboard.
‘They’ve ‘ad the kids in again,’ she grumbled when she saw the state of the floor near the outside door. ‘Blooming mud and rubbish all over the place. What the ‘ell are these nails doin’ ‘ere?’ She looked around the floor. ‘Whackin’ big hammer, and what’s this? Looks like a stapler. God knows what’s been goin’ on.’
She tossed the offending equipment inside the cupboard. ‘Vicar can sort it out. Must be somethin’ to do with Lent — God knows what.’
There was a tap on a window. Something shaped like a head draped with a sheet was being waved about outside.
‘Flippin’ kids; always tryin’ to scare me.’
She raised her fist in the direction of the vestry window.
‘Bugger off!’
She took off her coat and was about to hang it over the vicar’s surplice on a hook near the door: ‘Huh, that could do with a wash. And what’s ‘is clothes doin’ dumped on the floor? Vicar’s wives aren’t what they used to be: too busy doin’ their own thing. Mind you, Vicar’s no better. I don’t know — church’s goin’ to the dogs.’
Putting the offending clothes over a chair, she threw her coat inside the cupboard and took out a broom. Pulling on a wraparound pinny, she swept the mud into a pile and left it until she could sweep it outside. Then she noticed the vestry key was in the lock.
‘Good ‘eavens, the door’s unlocked. Must have been open all night. Huh! No wonder the place is in a mess.’
Opening the vestry door wide, she swept the mud outside. In the churchyard, the kids were playing with their skateboards — footing them along the steep paths, leaping on and off the fallen gravestones.
‘No respect for the dead. They need their ‘ides tanning,’ she muttered, waving her broom at them. Sighing and shaking her head in disbelief at the antics of modern youth she hurried back inside, locking the door behind her.
She dragged the vacuum cleaner out of the vestry into the nave.
‘Funeral in less than an hour, Lent service this afternoon — what the ‘ell do we need that for? Vicar’s a right killjoy. Can’t even eat a bit of chocolate without feeling guilty. Oh well, got to get cracking.’
Muffled noises echoed around the church. The hairs on her arms stiffened and her heart rate zoomed. ‘Don’t be stupid,’ she told herself, ‘It’s that coffin sitting in the side chapel that’s spooking you. Get the job done and get out.’
A thought struck her. Suppose the coffin’s occupant is still alive?
‘Huh! Imagination running riot again, Doris. Time you gave this job up, you’ll be seeing ghosts next!’
Starting from the back of the church, she plugged in the cleaner and began her work — another half hour and the vicar would be arriving. She began singing ‘Abide with me’.
Just outside the side chapel she found empty beer bottles strewn around.
‘My goodness! No respect for the dead these days. Mourners drinking beer last night? Celebrating their inheritance? Huh! No business comin’ in the church and leavin’ the vestry door unlocked. I don’t know, whatever next?’
She trotted off to the vestry for a black plastic sack.
‘More work to do. The vicar will be here any minute. Better not be in one of ‘is moods.’
She started picking up the bottles. Muffled moans sounded from the side chapel just behind her. Fear immobilised her body. Bottles dropped from her hands with a crash. Icy fingers gripped her heart, stiff pimples covered her flesh, her hair uncurled and stood on end.
She forced herself to move. She was being stupid again: it was just kids messing about, the central heating playing tricks, timbers shrinking, or….
Slowly she turned to face the coffin.
‘Is there anyone there?’ she croaked, unable to think what else to say.
The coffin lay still and silent on its trestle in front of her. The only movement coming from the single spray of red roses resting on the lid — petals were dropping like tears of blood to the floor below. Her heart began to slow its rapid pace. She sighed with relief. ‘Silly woman, Doris.’
Suddenly the sound came again — much louder this time.
Her eyes darted to her left. Her mouth opened in a scream, but nothing came out. Paralysed to the spot her gaze was held captive by the vision before her.
Sitting naked in front of the chapel altar, his hands nailed cruciform to the altar frame, and his feet nailed to the floor below the step on which he sat was the Reverend Donald Charles Geoffrey Bloom — Father Don, as he preferred to be called. His bloodshot eyes were wild with fear and pain. Muffled grunts were vibrating the plastic tape sealing his mouth.
Grey ash of penitence drifted over his head, down his face, over his body and onto the sanctuary carpet. On a board resting on a piece of sacking stapled between his legs, was written:

I AM A SINNER

Even through the haze of her shocked brain, Doris remembered the village gossip about the vicar and the treasurer’s wife. Her eyes turned towards the coffin. Elizabeth Jones had died — or so it was rumoured — of a self-administered abortion. She looked again at her suffering vicar and nodded her head in understanding.
She turned and picked up the broken glass. How silly of her to think the body in the coffin was alive. Mrs Jones was dead all right: there’d been a post-mortem. Poor old Mr Jones was a very distraught man. Well, no man likes to be cuckolded… it’s against ‘is dignity. And to end up a widower as well. ‘Dear, oh, dear…’
‘Change and decay…’ she sang to no one in particular.
She stopped and picked up a small card.
‘Now what’s this?’

THOMAS DREADNOUGHT JONES.
DEBT COLLECTOR.
PERSONAL ATTENTION
SATISFACTION GUARANTEED

She dropped the card into the sack. ‘What’s ‘is card doin’ ‘ere?’
She dragged the sack to the vestry. ‘Better get on, the funeral will start soon — ‘ope Vicar’s ready in time.’
She took a last look at the side chapel.
‘I don’t know, the lengths folk go to at Lent… ash on ‘eads… fasting… flagellation… and now this! Why can’t Vicar give up sweets like the rest of us? Well, I’m not cleaning that lot up.’
‘’Elp of the ‘elpless……………….’

Gladys Hobson’s story is published in Northern Lights
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The Man Who Told Lies

March 12, 2010

The Man Who Told Lies
By Gladys Hobson

‘Back from holiday? You won’t have heard then. That tramp who lived over there (he pointed to the cottages across the road) is dead. It was in the local paper — front page!’
Puzzled, I followed his gaze. ‘Tramp?’
‘You know, that old guy. Didn’t look after himself — drunkard. Wore shabby clothes, looked rough, needed a shave. Took his little dog for walks.’
The little dog — cute rat on long legs with a whippet tail — immediately identified the dead man. Tears rose in my eyes. ‘You mean Mark? Mark Ashley?’
‘That’s the guy. Told proper porkies. Police have been knocking on doors trying to find out if he had any relatives.’
‘He has a son — he’s a surgeon — and a grandson. They live in New York.’
‘Really? Nobody’s mentioned that. Better tell the police then. They’ve been asking all over the area. Someone said he has a cousin.’
‘He does. I think he lives nearby.’
With difficulty, I tried to hide the deep grief tugging at my heart. ‘What happened to Mark?’
‘Walked out to get his usual supper and fell down the cellar steps of one of those houses in Soutergate. Half drunk probably. A woman from the house rang for an ambulance. They took him to Furness General. He was sent on to Preston. He was in a coma for days, then he died.’
I was too upset to take in what else my neighbour said. Thankfully, he had to get to town and we parted company. No longer enjoying the beauty of trees and flowers that lined my path, or the warmth of midsummer sun, I walked the short distance to my home dazed and shivering. Mark dead? No more would I greet him and listen to his outrageous lies. No more would I see that silly grin and hear him chuckle at his own deceits. No more would I fuss that silly dog which had stolen his heart. Mark was dead. My friend Mark was dead and gone forever.
In my kitchen I made myself a pot of tea. I took a cup from the cupboard and put in a spoonful of coffee granules. I picked up the teapot and began to pour. What the hell was I doing? I hadn’t put in the milk. Wait a minute; there was coffee in the cup! I pulled myself together and decided on tea.
I drifted to the living room with its big picture windows giving views over fields and gardens. All so beautiful, life was going on as before, and yet…
Enjoying the familiar comfort of my reclining chair, I drank my tea and questioned why I felt so bereft. After all, Mark was not a relative nor had he been a close friend. True he was once a colleague sharing in the challenges imposed by the Ministry of Education when the local schools were reorganised into unwilling comprehensives, but he was a man very much on the periphery of my life.
Mark dead. I sighed deeply at the image in my mind of when I last saw him: uncombed hair topped with black woolly hat, grim face in need of a shave, head down, collar of black coat up, his limping frame bearing him up the road with his only true friend in tow — Peter the silent dog.
‘Hi, Mark,’ I said, as he was hurrying past.
He stopped, both he and Peter looking up. ‘Hello, Gladys, I didn’t see you.’
I patted the dog and it gave a nervous quiver.
‘What sort of breed is it?’
Mark proceeded to give me details of the dog’s unusual breed and pedigree, its very high cost and its naughty habits. I looked at the miserable dog, trembling at Mark’s ankles. Could that pathetic creature really take food from his plate, hide socks behind chairs, open his mail?
Mark’s face — pale skin, high cheek bones, square jaw, thin lips, fine nose slightly crooked, blue eyes under pale brows overhung with wispy greying hair — took on an aggrieved air. ‘That woman at the end of the terrace has accused me of letting Peter shit on her lawn. Huh, I told her, I take my dog out for a walk every day. It’s her own dog doing it, not mine.’
His countenance took on a conspiratorial look. ‘You know that ice-cream van that comes down the road?’
Who indeed could not recognise its monotonous chimes?
‘Yes,’ I said. ‘I’m surprised they get much custom. Most folk keep ice-cream in the freezer.’
‘They sell drugs to kids.’
He was watching for my reaction. Well, I could see the possibilities. ‘Really?’
‘Oh, yes. The police know about it. There’s a copper lives opposite me. He’s keeping an eye on it. That’s not all’ He nodded across the road. ‘That house that was for sale. Criminals have moved in. Police know. They’re doing surveillance.’
I nodded; after all I was aware of dealers pushing drugs in the town. I had recently been involved in a drop-in centre for the town’s youth. One evening, a police officer called in at the centre to warn us of the drug problem, and what to look out for. From then on, my nose was on the alert for wacky baccy. But criminals living in our close-knit area?
Whenever and wherever I met Mark he had a tale to tell me. I guess, spending many hours alone in his cottage with only his little dog and a bottle for company, he was short of intelligent conversation to brighten his day. He loved to be outrageous and so it was really quite difficult to sort truth from lies.
I knew he was a keen horseman and for years had entered races with his big white horse and, at one time, was keen on trotting with a small horse and light trap. That he fractured a leg several times and had received poor settings was obvious by his limp. Maybe part of his reason for drinking was to dull the pain he constantly suffered. Several tales came from his horsy connections.
‘You know Joan Smith, the geography teacher?’
‘Not personally, but I used to see her in the staff room.’ I could have added that I heard her too: she had a loud voice and a raucous laugh. ‘Jolly lady, sat with her smoking colleagues.’
He nodded with an urgency to get on with his tale. ‘She asked me to arrange the transfer of her daughter’s new horse. I turned up at the address given and was told the girl was not there.’ He gave a sort of whinny. ‘She said she had gone to paradise. So I said, “Oh, I am sorry. I’ll call another day”.‘
‘Really, that must have been rather embarrassing for you,’ but I was wondering if he was having me on.
‘Well, Joan was in the staff room the following day, so I asked her what she wanted doing with the horse. She told me her daughter wanted it taking to the field as instructed.’ He snorted with laughter. ‘Paradise is a place just up the road from where they live!’
I guess that tale could be genuine, or did he dream it up? At least he made me smile and perhaps that was all he wanted. Another tale he told me concerned a member of the royal family and a horse-and-trap race across Morecambe Bay. Evidently he accidentally messed up the start of the race, which earned him an unmentionable comment from the royal personage taking part. Mark looked deeply aggrieved.
‘I don’t care who he is, I told him even my father never spoke to me like that. And I wasn’t going to take it from him either.’
‘Good for you, Mark.’ Knowing that his temper had once led him to punching the parent of a boy he once taught, I found it easy to believe what he was telling me, but was I gullible old fool? I have heard of the Duke of Edinburgh driving a coach and horses across the sands but I have not found any evidence of horse and trap races, never mind His Royal Highness taking part.
Relaxing in my chair my mind took me back to the year, 1979. Three schools — girls’ grammar, boys’ grammar and a down-at-heel secondary — had come together to form a comprehensive establishment of fifteen hundred souls. Few people seemed happy about it. A few teachers gained but most lost out; the youngsters from the secondary school were convinced the ‘posh lot’ hated them; and the grammar kids were not keen to mix with that ‘lot from down the road’. Only the boys gained some satisfaction — girls galore! The parents of the grammar pupils had been promised separate streaming for their children where their education would continue until leaving at sixteen. Although the form classes were mixed, the pupils kept to their own social groups and then went off to be taught as before. Unfortunately, some teachers considered those from the secondary school as being unworthy of their time. Mark was not one of them.
His aloofness stood him out from the rest of the staff. He had little to say at meetings. Mark had made it clear to me that, although he was on a scale two, he had no intention of doing more than a scale one because he had not been given a position of responsibility. Evidently the extra scale applied to when he served in a different department — teaching biology. But since he had a degree from a top College of Art and had designed furniture on a commercial basis, I was surprised he was not a departmental head within the Comprehensive system. That is, until I got to know him better.
Whatever skills Mark had, and they were many, he was a very poor communicator where adults were concerned. It was some years later that I discovered his adeptness at telling lies. Even then I tended to take him at his face value.
Of course, he often annoyed me when, on taking an art class after him, I found the room untidy, the sink full of filthy brushes, no stock in the cupboard and, quite often, no drawing paper because he has used it all for his pupils to make sketch pads in bookbinding lessons. Not only that, but he copied some of my carefully thought up ideas for art classes. Even so, for whatever reason, I liked the man. Maybe it was because, when he did speak, he was not afraid to say what he thought. He was stubborn and could be incredibly witty: his guffaw creasing his face into a quirky smile. Also, the fact that he did find my ideas good enough to use with his own pupils boosted my ego; after all, I did not have his training or qualifications.
The day I retired from teaching, I was formally handed cards, flowers and a gift from the staff, but the thing I treasured more than anything was the simple present left on my desk. A single white rose stuck on a homemade card — a flying dove cut out of white cartridge paper — with Mark’s name and best wishes inside. I was deeply touched.
It was some years before I saw Mark again. I was surprised to see him on several occasions shopping in Ulverston. I recognised his lumbering gait before I saw his rugged unshaven face. But on each occasion, he was across the road and walking too quickly for me to catch him up. A few weeks later, I actually met him face to face. He told me that his mother had died and that he was moving out of Barrow to live in Ulverston, but he did not have time to go into details. So when I saw him enter a house just around the corner from us, I was pleasantly surprised. He saw me and invited me into his cottage to show me the improvements taking place. I invited him to my home for a chat when he had a free evening.
It wasn’t long before he was ringing our doorbell. I was pleased to see him.
‘Come in, Mark. We’ll go in the small sitting room; it’s quiet in there. Do you want a coffee?’ He declined: he’d only come for a brief chat.
So he sat on one of our vintage armchairs and made himself comfy. He had a way of wriggling into a chair as though shaping it to fit his body. Having settled into the seat, he sat back, shuffled his shoulders, crossed his legs and placed both hands on the top knee. He looked around the room, twitching his loose foot and occasionally jerking a shoulder. I could imagine him thinking, ‘Nothing Andy Warhol in here.’ He made no comment on my pleasant collection of Heaton Cooper prints — not his style.
I sat close by with my armchair at an angle — distant enough to be non-threatening but easy enough to converse eye to eye should he wish to do so. I gave him a few moments to take in the relaxing decor of the room: neutral pastel colours of walls, carpet and curtains with little splashes of colour introduced in cushions and pictures.
‘So, what made you move to Ulverston?’
He began by telling me about the trouble he’d had with his neighbours. ‘I like a garden that grows naturally — wild like.’ I nodded in acceptance, but thinking I was glad he wasn’t living next to us. ‘They complained about the tree growing in my garden. None of their business. I wasn’t getting it pruned back, it would have ruined it.’
And so he continued chatting, telling me about his search for a house and the need to have somewhere for his horse. The tiny cottage he had just acquired had cost him £19,000 and he was busy with alterations to give a more spacious feel to the place. He now had a gas fire set in the wall above floor level. ‘I’m giving it a black surround to match the furniture. Call in and see what you think.’
After a while he started shuffling in his chair and fidgeting with his hands. He looked at me and opened his mouth to say something then changed his mind. ‘I was going to tell you about…but no, better not…’ He shuffled some more. ‘Yes, I will tell you. I can trust you not to tell anyone else.’
Then began an extraordinary tale about receiving a letter from a woman he had known in his student days, who, at the time of writing, was dying of cancer. According to Mark, she wanted him to know that he had a son, and that he was also a grandfather. He then told me about the money his mother had taken from him every month, and of his wondering what she had done with it all, especially since she had died almost penniless. ‘Unknown to me,’ he said, ‘I had been keeping my son at Winchester. He’s a consultant surgeon now.’
He told me how his parents had decided he was too young to marry his student girlfriend and so kept their knowledge about the baby to themselves. Evidently the girl’s parents had been in touch with them and it had been a joint decision: presumably the girl had acquiesced to her parents taking over the baby’s welfare. Well, knowing things were different years ago, it was not difficult to believe the story, especially as Mark was going to show me a photograph of his grandson when I called at his house.
The photograph was of a handsome young boy, dressed in a riding outfit and astride a fine-looking horse. The fact that it was a black and white photograph was explained as having been snapped for a newspaper, his son being the winner of a prize. That was the first of many tales about his family. I saw no other photos but I refused to be suspicious.
Mark’s son had moved to New York but came over occasionally as he was following up a few of his important cases. I was told about a boy’s big toe being amputated to form a missing thumb and the complications resulting from the procedure, and of other tricky operations that his son specialised in. Do consultants really travel across oceans to follow up their cases?
Evidently the family visited him occasionally but did not stay long. They wanted him to go and live with them in New York. Mark said that he had visited the place and was not sure that he would be happy there. He told me quite a few stories of a private nature, but the one that sticks out in my mind because I can see it starkly in black and white, concerns the parentage of father, son and grandson. The three males were taking a walk together; each was dressed in black coat and black woolly hat. Mark said he had to laugh. ‘Look at us,’ I told them, ‘three bastards all dressed alike!’
Mark giggled at the telling of the tale. ‘All of us were born out of wedlock. Not many people know that.’
I felt honoured that he should confide in me. From that time on he often came up with a story about his surgeon son, of which he was very proud, and his grandson that took after his granddad for horsemanship.
Mark was still active: judging at horse trials and still riding. He also had a part-time job lecturing at Lancaster University. He told me that he only had three or four students to tutor: the young men were below standard and needed personal tuition. Mark said he had received a letter from one of the youth’s parents, thanking him for the help her son was receiving. Later he said he had a few hours a week at Edinburgh University. Those were the only times I saw him going out dressed up, walking into to town with brief case and umbrella to catch his train. Most of the time, when he was going down Soutergate to do his bit of shopping, he was unshaven and scruffy-looking. He was just the same when he was walking his nervous little dog.
One Sunday, I met him on my way to church. He stopped for a chat and, much to my surprise, came with me. Then some time later, when I was working in a church some distance away, he came to hear me take Evening Prayer and preach. It so happened that he knew the organist who was studying for a doctorate with the Open University. It was after that event that Mark told me he’d studied to become a doctor, but could not stand the sight of blood and so had to drop out. But he had done well at his London art college, so I decided he was a man of high IQ and many talents. I was not completely aware then of his wonderful talent for lying!
His son’s wife came into the stories occasionally, the two seemed to get on well together, certainly enough for him to be invited to live with them in New York. He told me he was going to stay there for three months to see if he liked it enough to move. He would not give up his home because he would use it for holidays. That seemed a very sensible thing to do, even though he had no idea then that the value of his little cottage would have increased almost fivefold twelve years later.
Other people came into his tales. He told me that a friend of his son was staying at his house while doing work at Glaxo. But I never saw anyone going in, or coming out of Mark’s house — including his family. No cars parked outside either, but maybe his visitors used the train. In fact, there could be an explanation for any oddity in Mark’s stories. Even so, when I asked him when he was going for that three months trip to New York he looked puzzled and needed reminding of what he’d told me. Also, why didn’t his close neighbours know anything about his family? And, why did they all think of him as a teller of porkies? As to Mark’s drinking and tramp-like appearance, had the man been a spinner of yarns to hide a sad and lonely existence? Well, the funeral would surely come up with answers about his family — or lack of it.
Life went on in the town without Mark but I sometimes saw a figure and thought, ‘Oh, there’s Mark,’ until realising I was mistaken — a common happening with people who have made a deep impression before their death.
We were away when the funeral had finally taken place. I did not make enquiries as to who was present: I decided to leave my memories of Mark intact. Mark is dead, but for me he will live on as the warm colourful character I knew him to be.
Or would I rather not know that I am a gullible fool?
Years later, and I still miss him. I ‘see’ him down the road and walking the footpath. He was part of my landscape and I guess he always will be.

Gill Banks

The stream at Gill Banks where Mark walked.

The Man Who Told Lies is published in Northern Lights, an anthology published by Magpies Nest Publishing — visit the publishing site for more extracts from the book

Gill path seat

Is Mark still here?

Late 1940’s Factory Life — Training To Be A Designer

July 21, 2009

This is the third part of the story of my design training and growing up into an adult.
That first day at work was painful on my hands. The cutting shears were huge and my hands fairly small and tender. The pressure on the ball of my thumb caused by the unyielding metal as it sliced through several thicknesses of fabric, was unrelenting. Binding the the thumb and finger grips may have softened things a little but it did not stop blisters forming.
The constant noise of heavy machinery above and below that huge room, as well as in the room itself, was like nothing I had ever before experienced. Noise of tanks going along the road and shaking the house was about the nearest thing but that was just an occasional occurrence, this noise only ceased when the workers stopped for lunch.
The room — almost a whole floor of the huge factory — was dull except next to the dirty windows. Plenty of lighting over work benches though. A smell of oil pervaded everywhere. The floor was worn and shiny from many years of use. Shiny knots and heavy grain in the wood stood out of the floorboards, not enough to trip us up but showing the factory’s age like the wrinkled and gnarled faces of some of the aged workers. Many of those employees had spent the whole of their working lives at that factory.
By the time I arrived home on that first day, I felt incredibly weary. My hands hurt and my feet ached. Everything had been so new to me. All my ideas about dress designing had been completely at odds with what I had experienced that day. I may have been staff, but to start with I was part of the workforce. The girls on the cutting bench were lovely, but I felt alone and gauche when talking to the staff. At lunchtime, the office girl took me down to the canteen to have lunch with her. Morning snack with the work-girls, then all change at lunchtime. I ate my pudding with a spoon. She ate it with a fork and spoon. We had nothing in common to talk about. She talked posh and had a boyfriend about twenty years her senior. I was back with the girls on my own level after lunchtime. Well, not really on my level because they were more sophisticated and knowledgeable about life as well as their jobs. (That is where I found out a lot about sex!) I felt everyone was laughing at me. Since I blushed easily, they had cause to.
It sounds daft now, maybe because my perception of life has radically changed. I was young and vulnerable in those days. I had never been away from home and even the girls at college, during my short time there, seemed above my ‘station’ in life. I had been the only girl at school without a navy gabardine coat (I only had a second-hand pea-green coat), and patches stitched over cracks in the uppers of my shoes had marked me out as a poor child. But I started work in the factory wearing a jumper and skirt I bought with my pay from the six weeks’ job I had before getting the trainee designer position. Even so, I was aware of poverty. Poverty had brought about humiliating experiences and they could not easily be dismissed from my memory.
So the evening of that first day of working in that factory, weary and disillusioned I cried myself to sleep. What had I expected? Bright offices and pleasant workrooms with genteel ladies working on individual garments. My mother wanted to know why I was crying but I could not tell her. I did not really know myself.
Teasing over blushing went on, but I settled in. Eventually I kicked the overseer on the shin because he refused to stop rubbing the knuckle of his thumb down my spine. Okay, so he called me ‘a nasty little bitch’ but he never did it again.
I became friendly with one of the cutters — May, a girl six feet in height and a big welcoming smile.
Joan, a young woman, was head cutter. She also modelled the new designs. A lovely friendly girl, she invited May and me to her twenty-first birthday party. I remember we had a lot to drink, mostly stuff like cherry brandy but also gin and lime. I stayed the night at May’s house. We had more to drink before we went to bed. Her younger brother was still up. He drank too, turned a greenish grey (I had never seen anyone turn that colour before) and threw up in the sink. Us? We ate a few large pickled onions, dropped a few and picked them up — likely with fluff attached — ate them and went to bed. We had a good night’s sleep and I went home the next day, fit and happy.
More of my adventures with May later.

1949 Dress Designs and Awakening Love

June 28, 2009

A previous post ‘1949 fashion sketches for Awakening Love trailer video — maybe‘ (my highest scoring post) has been updated with more 1949-1950 designs. The video is now done but the designs are not used.
TopTen2008d
Here is the Apex video, (click on Apex video) and below are the review and interview for my book — Awakening Love .

http://www.apexreviews.net
info@apexreviews.net
Awakening Love
Gladys Hobson
ISBN: 9781602760363
Stonehedge Publishing
Reviewed By Tracy Moore
Official Apex Reviews Rating: *****
Young, attractive, and with a limitless future ahead of her, June has the world at her fingertips – and the chief subjects of her domain are the doting Arthur and his handsome younger brother, Charles. Both men desire to keep June for their own, and each has resolved within himself to woo her to the fullest extent possible in order to win her lasting affections. With such strapping, devoted men at her beckon call, how could life get any better for June?
Enter Robert, June’s crafty boss and mentor. Ruthless and relentless when he sets his mind on something, his sights are set squarely on his delectable protégée, and he’ll allow nothing – and no one – to come in-between him and the desires of his heart. As a result, Robert launches an all-out stealth attack in an effort to thwart Arthur and Charles’ advances, and he has just the moxie and resourcefulness to pull it off.
In the complicated love quadrangle that ensues, June is forced to make some of the toughest decisions of her life – including whether or not to follow the equally compelling leanings of her heart or her mind.
Awakening Love is a tantalizing tale of love, desire, and self-discovery.
Through a vivid cast of characters who find themselves in all-too-real situations, Gladys Hobson treats the reader to a vicarious journey deep into the wistful logistics of the heart. With so much being thrown at her at once, June acts (and reacts) much like anyone else who may find him or herself in the same position.
You may be initially inclined to blame her or find fault in her ostensibly fickle tendencies; but you ultimately come to acknowledge and appreciate the fact that the playing out of June’s indecisiveness – however painful it may be – fosters her much-needed individual growth and development, which is ultimately to her benefit.
An engaging coming-of-age story of the thrilling highs – and crushing lows – of love, Awakening Love is a rewarding literary treat, and a welcome addition to the world of romance. Highly recommended for its inherent enlightening value and its boundless, timeless themes.
AwakeningLove

Official Apex Reviews Interview: Gladys Hobson (Awakening Love)

Thanks for joining us for this interview, Gladys. We’re looking forward to learning more about your book.

What inspired you to set the book in the late 1940’s?
ANS: Some years ago, I began to write my autobiography for the benefit of my children and grandchildren. I recalled an incident when my friend’s much older brother took me by surprise by kissing me with a man’s passion — hard against my lips, actually bruising them. I was fifteen, he in his thirties and not long demobbed from the army. I was utterly shocked. He was a man and I had no idea that he thought of me in that way. So began a secret ‘kissing only’ affair. When I was a little older and it looked like he wanted more I froze and it came to an end. Thinking about it, I thought what if…? So began Awakening Love and brought to life as we lived it in that special era of change.

What is it about June that makes her so irresistible to her determined potential suitors?
ANS: June is beautiful and creative. But also men are drawn to her youthful innocence and vitality. A girl determined to get somewhere in life and on her OWN merits — spunk!

How is June unable to see the manipulative motives behind Robert’s efforts?
ANS: Like most of us, she sees what she wants to see. As the lynch pin to his new fashion venture, she knows he is the key to realising her own ambitions. He also has a sexual charm that draws her like a magnet. Robert senses this and exploits it to the full.

As our reviewer mentioned, June’s character, for a variety of reasons, is one to which many readers will be able to relate. How were you able to depict her in such a vivid and realistic fashion?
ANS: There is a lot of me in June. This is the era of my youth. I was naïve and innocent — totally inexperienced in matters of sex and of the heart. We all start out that way even if innocence may be lost sooner now. I wanted to be a designer and trained in that actual factory where June worked. You learn a lot in factories. The setting is completely authentic. But no sexy entrepreneur to help me up a ladder to fame. Even so, I was designing at her age. An office girl, like June, had a boyfriend much older than herself. Workers smirked and talked about the romance, thinking she was being taken advantage of. I could see June in the same position with Arthur.

The other characters in the story are no less unique and lifelike. Are they based on people that you know?
ANS: This is quite possible, but not consciously. They just came into my mind in complete form, to the extent that I have to remind myself to ‘show’ them as I hear and see them. No doubt some are like people I have known over the years. But, when I was writing, I fell in love with both Arthur and Charlie and even I did not know who would end up with June. But the shadow side of me is drawn to Robert — a man with rugged good looks, who knows what he wants and is determined to get it. You know — a hate-love thing. I found myself driven by the characters. At times, I would be caught weeping at my computer. When I read the end of the story, I still do.

What advice would you give to anyone who finds him or herself in June’s position?
ANS: Always keep your integrity. If the question refers to a certain incident pivotal in Awakening Love that could have destroyed June’s happiness, I would advise to see yourself as others see you, and don’t get trapped by sending out confusing messages. Follow the desires of your heart, but be true to the one who loves you and try to avoid hurting others in the process.

You initially published Awakening Love as a print book. What inspired you to release it in eBook format?
ANS: The print copy is available, (as are all MNP books) if ordered from Waterstones or any other good bookshop in the UK, or directly from Magpies Nest Publishing. But the eBook makes it available world-wide directly, and at a much cheaper cost. And I don’t have any handling to do. When Stonehedge Publishing offered a contract I was over the moon. It was a validation of my writing. As you may know, they have a reputation for good sellers. Stonehedge will also be publishing the sequel: Seduction By Design. That book reflects a change to the more permissive society of the late 60’s-70’s and the change in fashion — miniskirts are in.

The book has received rave reviews thus far. Do you plan to tour in order to garner more widespread attention for it?
ANS: Now that would be a wonderful thing, but I am no good at organising such events and I do not live in an area of easy travel.

Please share more with our readers about your other writings.
ANS: A print version of Awakening Love under a different title — Desire — is likely to be published by AGPress in the USA shortly, and will be available at Amazon.com and other top sellers. I am presently working on a stunning cover with the artist Charles Davis. Sequels already in Manuscript form to follow. Mythica Publishing has released When Angels Lie in eBook form and will be doing the same with Blazing Embers. An Illustrated book of childhood memories 1939-53, called ‘When Phones Were Immobile and Lived in Red Boxes,’ published by Magpies Nest Publishing, I wrote to raise money for a children’s charity. The book sold well and may be getting a second edition. Magpies Nest published two of my novels under pen names. (These two, When Angels Lie and Blazing Embers are now published by AGPress under my own name.) Awakening Love followed next, plus an anthology by nine authors, called Northern Lights which I co-edited and illustrated. I illustrated a book of poetry by Bob Taylor and published it through MNP. My latest anthology is Still Waters Run Deep, Stories Of Hidden depths. I have short stories in The Jimston Journal and Esdras Scroll Magazine.

Also, please share more with us about your publishers, Magpies Nest Publishing and Stonehedge Publishing.
ANS: My son set up Magpies Nest Publishing to publish the memoirs book and it seemed natural to go on to my novels. Publishing is a big hassle if you do it properly and we only publish my books and those of my friends. Magpies Nest may publish the sequels to Awakening Love as my readers are keen to read more.
Stonehedge Publishing has a number of award-winning authors with great books in all genres.
Mythica Publishing is a new eBook publisher with interesting titles.

What are your future writing/publishing plans?
ANS: To get the sequels published. Maybe start a new novel but only if truly inspired to do so — something quite different. Develop my blogs, especially a new one called Ask Gran Hobson. I already have a young man asking me some very deep questions. I’ll be posting them shortly.

Do you have a website where our readers can learn more about you and your ongoing efforts?
ANS:
http://www.myspace.com/gladyswrites
http://www.magpiesnestpublishing.co.uk
http://writingforjoy.blogspot.com
http://hobsonsbooks.blogspot.com
http://askgranhobson.blogspot.com
The latter two are still being developed as is the publishing site. I am on facebook and a number of ning web sites.

Also, how can they contact you directly?
All the sites have means of direct contact.

Any final thoughts you’d like to share?
Writing is jolly hard, but enjoyable work. Getting published is another matter altogether and requires dedication and stamina. A thick skin comes in handy and always be ready to learn. If anyone thinks they are god’s gift to readers, take a more humble approach. And if you are looking for good returns in money, you’d do better on the lottery. But when you hold that first book in your hand, the feeling is indescribable. This is your baby and YOU have brought it into the world!

Thanks again, Gladys, and best of continued success to you in all your endeavors!
SDC11406

PLEASE NOTE: Awakening Love is no longer available as an Ebook by Stonehedge Publishing. The whole trilogy will soon be available through a different E-publisher. Awakening Love is still available in paperback in the UK £8.99 from Amazon, or post free direct from Magpies Nest Publishing. It is also available in the USA under the title of DESIRE – publisher AG Press
Or go to Amazon.com or Barnes and Noble.

KILROY — Presenter extraordinaire? Renegade politician? Mature woman’s sexy devil? My experience FINAL PART

April 10, 2009

UPDATE September 2012 — Blazing Embers is NOW Smouldering Embers and will shortly be published by Turquoise Morning Press.

Part Five. Sex and the Over Sixties — Embers Blazing!

 I have gained more memory since writing this and find much has been missed out but it more or less follows this pattern.

I put on my school teacher voice: “It isn’t funny, Robert. Not all women get an orgasm with sex. When we were young we were totally ignorant about sex. Our sex education got no further than a single-celled amoeba that divides itself. That’s how we went into marriage. Totally ignorant.”

“So how long did it take? An hour? Two? A week? Months?” A grin followed while the audience laughed.

I can’t recall exact words and order of them. But I tried to get over the problems of sexually ignorant people coming together in marriage and living busy lives and lacking technique. Problems of when children arrive, including physical ones. It was getting rather personal. (Reader beware! With a good interviewer, it is so easy to get swept along paths you did not intend to take!)

A woman in front interrupted, talking about ignorance and being protected from boys by her father, and the thread was lost.

But Kilroy came back and asked if I agreed that sex improves as we get older.

“Yes, I do.”

The man next to me explained things very nicely. He spoke about what sex is like (from a male point of view) from when men are young and want to get to their destination quickly, because it is all about what is in their trousers. (Laughter), to later years when comes the desire to do things more slowly so there is more time for romance. And having years of experience and plenty of time for preliminaries, with no anxieties about performance, sex is more enjoyable.

There were plenty of interruptions (the woman in front again) and, of course, far more was said during this period and quite likely in different words — it is a long time ago to remember exactly— but that was the gist of it.

Kilroy moved on to plastic surgery. A big issue. The heavily made-up lady who had shared our car to the studio, proudly announced that her husband had bought her a tummy-tuck for her birthday. I wondered what she looked like minus make-up and clothes. Probably quite ordinary. She had plenty of meat on her, tummy-tuck or not, and no doubt a whacking big scar somewhere or other. Did she go to bed dressed up and in make-up? Or was all this expensive treatment just to look good when showing herself to the world? She had already proudly announced that she wore designer clothes and make-up. But that was her choice and there are very many like her. Even primitive peoples beautified themselves with paint and did painful things to their bodies.

Others had undergone surgery, or intended to, and spent a lot on making themselves look good according to their standards. But there were those present who looked better, and more natural, without heavy costs. Why go to great expense? It had already been established that some women there dressed to find sexual partners. A couple appeared to be advertising themselves.

The answer came, in part, from a woman who had clearly been invited because of the expense she had gone to in order to re-invent herself (her words). Clearly she had spent a lot of cash on clothes, make-up, hairdressing and surgery. She refused to give her age but I had to admire her. Even so, there was something about her that did not look real. Somehow she did not look feminine. Her body looked slim but hard. Her breasts looked more like well developed muscles you sometimes see on weight lifters. Her white dress was body hugging and her platinum hair beautifully done, but…

Unfortunately the lady was derided by a few of the people there. I rather think that some of the animosity was because she looked and spoke posh. She had obviously invested many thousands in this re-invented image. If it helped her then that is okay, but how sad that women can be made to feel old and ugly. I blame the media and celebrity hype.

There were men there who thought women should be just natural and that they did not need to dress up or go to all lengths to make themselves sexy. Some women agreed — sexiness comes from within. I said something about some women staying young inside.

I did have other things to say but soon the programme was at an end.

As we were about to leave the studio, most of the women there — young and old — gathered around and wanted to know the title of my book and where they could buy it. After all, apart from the book being quite funny in places, the problems concerning orgasms are not confined to the elderly.

The day following I met a few people in my own home town (where the story is set) who had seen the programme and they too wanted to know where to buy the book. One had gone to our local bookshop to see if it could be ordered. The book was not even in print. I was unable to find a publisher. Some were interested but said it did not fit a genre to suit their readers as the characters were too old.  But since it has been enjoyed by both men and women of all ages, I would dispute this (see other posts on ‘Sex and the Over Sixties’, and ‘Blazing Embers’ and Sex, sex, sex! Over sixties too’). A male oldie said the book had changed his life. And yet my grandchildren enjoyed it too. It partly tells of life years ago as well as problems faced in the present. So I printed it under Magpies Nest Publishing with the pen name of Angela Ashley. It is now available in the USA as Blazing Embers by Gladys Hobson. (see below) Soon it will also be available as an e-book by Mythica Publishing.

If only it had been available then and there!

I sent the manuscript to Simon Powell as he had asked. After a while, and hearing nothing from him, I rang the studio and found that he was no longer there. Shortly after that show he walked out and no one could tell me where he had gone. His secretary returned the manuscript. Ah, who knows what Simon might have done with it? A programme series? I don’t expect I’ll ever know.

Read a couple of chapters at http://www.magpiesnestpublishing.co.uk

You can buy a book there (under pen name, Angela Ashley)

 

 

English Lake District, home of artists and writers

February 14, 2009

 

Coniston in winter

Coniston in winter

The English Lake District has long been known for its writers and artists, including Wordsworth and Ruskin. Visitors come from all around the world to visit the houses where they lived, wrote or painted. The tradition goes on and many writers live and work in this area of outstanding Beauty.

Coniston Water in February - after the snow.

Coniston Water in February - after the snow.

 

 

This is the area close to where I live and work. The beauty of where I live is a constant inspiration to my writing. Likewise the area where I lived as a child and a young married woman. For that was an area of clothing manufacture and, for me,  the trials and tribulations of factory work and struggling to be an established designer. Later on a teacher. That area was the Midlands, where I once dreamed of visiting the Lake District for a holiday. That is, if ever I had the money. Now I live here and think myself ‘rich’ indeed — for beauty of landscape is worth more than gold. Peace and tranquility worth more than the burden of wealth. This is my home, or at least close to where I live. From our market town of Ulverston we can see for many miles — out to sea across the bay, as well over to the Pennines and the far reaches of Cumbria.

Visit AG Press for details of the USA editions of When Angels Lie, Blazing Embers, and (shortly), Desire (all by Gladys Hobson) Magpies Nest Publishing for Gladys Hobson books published in Cumbria (the ‘home’ of the Lake District National Park) . My E-book, Awakening Love, (Stonehedge Publishing) can be found at Powell’s books and all major E-book sellers. Mythica Publishing (up in Bonnie Scotland) will shortly be publishing my books too.