My friend Brenda has died. But she will never be dead to me. She is too much part of my childhood, influencing who and what I am.
I recall the day I first met her. We were about eight years old. She was skipping outside the huge gate and high walls of her big garden. Her big ‘mansion’ house — posh to me — was the other side of the road from where I lived with my family in a modest late Victorian semi. Her garden is stuck in my memory too. Not just the profusion of fruit growing on trees and bushes — apples, pears, plums, raspberries, loganberries, gooseberries, and such — but the grass on which we played silly games, practiced three-legged races, played tennis with each other and her brothers, pretended we were famous entertainers. And, oh, so much more. It was another world where make-believe became almost reality. Plant pots were moulds for making sand cakes and pies. The sand having been carried back from the river a mile away, no easy task for a couple of young girls.
But if the garden was another world, so was the attic room where we played on cold and wet days. Her lovely mum would even light us a little fire occasionally, which we would huddle round and daydream. As we grew older, we even danced to my sister’s old wind-up gramophone, eventually turning our efforts into concerts for the family.
We bought our own records. Over the years, we developed our tastes through visiting the cinema a lot, sitting in the gods at the Nottingham Theatre when a ballet was on. And attending concerts at the Little Theatre, and generally ‘picking up’ our musical tastes from what we saw and heard. But not just musical tastes: we enjoyed the cinema and had our favourite films and stars. We saw one 1947 film — Song of Scheherazade — so many times that we wrote out the script then acted the parts at Brenda’s house. We saw all of Jean Pierre Aumont’s films.
As young teenagers, what a pair of dreamers we were. We carried the wind-up gramophone to the local gravel pits by the river. There we played our Swan Lake record to the swans gathered there.
As young children our amusements were quite simple: Skipping, hop-scotch, ball play, pencil and paper games, including battleships and cruisers. We collected wild flowers and pressed them in books. Wanting an Arrowhead flower that grew in the local canal, I dangled Brenda over the edge of the tow path and sat on her legs while she picked it with a garden rake. We drew and painted pictures. And we made our scenery for our little concerts. A large hall mirror flat on the attic floor, with flowers and leaves around the edges, made a lovely pool to go with Dance of the Flowers. Coloured paper over a bike lamp, plus sticks for the ‘fire’, and a bowl of water to throw liver salts into for effect, was great when dancing the Ritual Fire Dance (her young niece screamed when the liquid suddenly ‘bubbled’ up sending froth over the floor.) Bolero was a favourite too. We made our own costumes.
We lit too many candles one day and the wax ran all over the concrete floor. Brenda was very good at scrubbing, she was a methodical and steady worker. I soon gave up patient scrubbing and quickly mopped my part of the floor. Brenda cleaned the outside of the window by sitting on the outside cill with me holding on to her legs. We trusted each other.
There are so many things I could talk about concerning our childhood. (Many things are in my little illustrated book of childhood memories — When Phones Were Immobile and Lived in Red Boxes, extracts are on my various blogs) In our teens we had holidays together — Prestatyn, London, Isle of Wight.) I could write a chapter on each one! It was meeting my husband-to-be that eventually separated us. We moved to a different part of the country but we always stayed in touch.
Dear Brenda, you will always be a part of who I am — the gentler part.
Photo — Brenda (on front horse) and me, having a go at riding while on holiday at Little Canada Holiday Camp IofW 1952